Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
St.Eligius in the Goldsmiths' Workshop

ID: 28597

unknow artist St.Eligius in the Goldsmiths' Workshop
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unknow artist St.Eligius in the Goldsmiths' Workshop


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unknow artist

  Related Paintings of unknow artist :. | Woman harvester | Portrait of a Bride | The Virgin and Child with Angels | Adelaide about 1860 | Benedikt Adam Freiherr von Liebert, Edler von Liebenhofen |
Related Artists:
FRANCKEN, Ambrosius
Flemish painter (b. ca. 1544, Antwerpen, d. 1618, Antwerpen).
Gentile da Fabriano
Fabriano ca 1370-Rome 1427 Italian painter, one of the outstanding exponents of the elegant international Gothic style. In 1409 he worked in the Doge's Palace, Venice, painting historical frescoes that subsequently perished. In 1422 he was in Florence where he created his most celebrated painting, the resplendent Strozzi altarpiece (Uffizi). Gentile painted in the spirit and the manner of the older school, with glowing color and lavish use of gilt, thereby achieving a jewellike, courtly style. By 1425 he had responded to the new Florentine realism. His refined forms yielded to a sturdier rendering of figures in the Quaratesi altarpiece (panels are now in the Uffizi; Vatican; National Gall., London; and National Gall. of Art, Washington, D.C.). From 1425 until his death he worked in Siena, Orvieto, and Rome. Gentile died in Rome before the completion of the frescoes of St. John the Baptist in the Lateran Basilica.
Nardo di Cione
Italian Byzantine Style Painter, active 1343-ca.1365 was an Italian painter, sculptor and architect from Florence. He was the brother of the more accomplished Andrea di Cione, called Orcagna, as well as Jacopo di Cione; they were important members of the Painter's Guild of Florence. While Orcagna has been noted as the more accomplished artist, Nardo developed his own unique style, described as a pronounced lyrical vein, a feeling for poetic values, strong human sympathies and great sensitivity to colour as a means of subtle differentiation and soft modeling. The brothers collaborated on a number of works from their studio together, including the decorations from the Cappella Strozzi in the Santa Maria Novella. While Orcagna painted the altarpiece, Nardo executed the frescoes of The Last Judgment, Paradise and Hell.






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